The expressive power of the search aesthetic and conceptual artist English is mainly oriented to th

The Giorgio Cini Foundation has opened to the public on the Island of San Giorgio Maggiore, until September 29, 2013, the exhibition "Marc Quin," a staff dedicated to the great English blue solo cup artist by Giorgio Celant.
Marc Quinn was born in London in 1964. He came to fame in the early nineties, the protagonist of Yung British Art (which includes artists such as Damien Hirst and Tracey Emin), with works of great sensazionilità media, surprising or paradoxical dramatically, the first of which was Self, which reproduces his head obtained with 5 liters of his own frozen blood, while the most recent, Sky,
The expressive power of the search aesthetic and conceptual artist English is mainly oriented to the treatment of '"human being", with themes of great interest and relevance and constant reflection on nature, life and death, in which art reveals often reversed or enigmatic truth: blue solo cup thus,
serene image of a flower reveals the grin of a concealed decomposition, in the same way that a repulsive mixture of blood and placenta draws strokes tender and moving to a new life. In 2005 he produced Sphynx in which the model Kate Moss, presented in a yoga contortion, becomes a contemporary symbol of absolute beauty "a heroic figure and afterlife." The effigy is then taken up in his famous Siren, recently exposed in December and January at the British Museum in London, where
"The statuesque elegance of the model is shaped ecstatic adoration of pure gold." Quinn also uses "traditional" techniques in conceptual and symbolic meaning: the famous Alison Lapper, exposed in September 2005 in Trafalgar blue solo cup
square, is the cast in white Carrara marble of the naked body of an artist friend, a woman phocomelic and happily pregnant, and is part of the series "The Complete blue solo cup Marbles" when, in fact, people with physical deformities are represented as natural descendants the models of classical sculptures.
The search for Marc Quinn, though apparently it seems oriented glow effect, surprise, scandal, really want to exploit the evidence of some 'tricks' language to break the spiral of current transient and compete with the great mystery of history.
Marc Quinn began his career exploring some particular themes, such as the relationship between art and science, the human body and its mechanisms of survival, life and its preservation, beauty and death. Quinn describes the show as << an exploration of the relationship with our bodies blue solo cup and with the physical and cultural world around us, what it means to live in a world that is real and virtual at the same time >>. The spectacular staging, designed
This series of ten monumental marble sculptures pink meat, depicting fetuses of different sizes at different stages of gestation, is located along the descent that leads from the squero, where previously they built boats, water: a hymn to the mystery of life that emerges from the lagoon. Another tribute to nature are the five colossal shells The Archaeology of Art, which seem to ask whether the desire to create art is intrinsic to nature. Perfectly symmetrical shapes, created by nature, which
conceal a strange intelligence and appear to follow an order to their superior. blue solo cup Huge in size, but extremely detailed, these shells are among the items printed in high definition 3D largest in the world, the result of a digital code output from a computer on the basis of the DNA code that created the originals. The shells blue solo cup carved in bronze lie on the seashore, as rocked by the tide.
Finally, it is possible to admire a reinterpretation of Alison Lapper Pregnant and monumental works of Breath (2012) The latter is disposed in the vicinity of the Basilica of San Giorgio Maggiore to accommodate visitors to the Foundation, blue solo cup in an inflatable version of the original 11 meters high. The work was also the main piece of the opening ceremony of the games
London Olympic. Btreath seems to describe the journey of an image that becomes blue solo cup part of the cultural discourse, scale an image without borders, supported blue solo cup by the breath of those who speak a form of thumb, as much as the famous self-portraits made by Marc Quinn with his own frozen blood. A large-scale aluminum sculpture, entitled The Sound of Silence (2013) is an installation of Mobile airplanes blue solo cup and aircraft accidents that hover in the air without ever brushing against. A violent explosion suspended in silence, a work is a slide of a silent blue solo cup disaster, a
manifestation of one of our contemporary fears darker, but the hypnotic movement. Finally, among the unpublished works, blue solo cup Quinn debuts