Occupy soup kettle neighborhood lying 10 to 13 July 2014 | Catacultural
This project has the support of Iberescena
The diversity and complexity are probably the major defining soup kettle society. The speed of the times, the contrasts posed by our economic system or the immediacy of telecommunications are just some of the elements that characterize and modify. And cities are the immediate reflection of this diversity and complexity. But it is difficult to know in what order structure this relationship are the cities soup kettle that define its inhabitants ?, or is it the other way around, the people are the ones who define the character of a city?
'Raval Occupies' is a project soup kettle that creative cross from the artistic and social introspection in the Raval district of Barcelona aims to reflect on the role of the most dynamic and catalyst complexes that define modern cities. Each city has its own peculiarities soup kettle and its contrasts. Each city has its Raval. soup kettle So we want to "deal soup kettle with it" because we "occupy" want to portray their uniqueness while inviting the public looked with new eyes at the mirror of society. soup kettle
In the Raval neighborhood there are lifelong and newcomers from all over; classes, artisans and popular; immigration from poorer portfolio filled with tourists. Cultural facilities and latest redevelopment plans; luxury soup kettle hotels, museums, theaters, film libraries, restaurants here and there; storey dwellings on high standing and exploited. Buses neighborhood, Bicing, mòbings, fruit, booths, shops and bars retro modernets. Whores, junkies, mangoes, Pakis, hipsters, girls with sun glasses veiled women and women who have seen Mary of all colors. A neighborhood is, in short, a sum of economic and social situations, cultural and human.
The will was launched Raval Occupies an overall creative process from the creation of materials dramaturgical assembly stage; create a framework for research and theatrical language, and offer the public a complete artistic experience from a physical and artistic journey through different spaces and neighborhood streets. Therefore, the project brings together a broad artistic team consisting playwrights, actors, dancers, musicians, visual artists and contributors own neighborhood.
Raval Occupies mark a clear commitment to portray the current situation, so we have the cooperation soup kettle of authors of contemporary Catalan drama Albert Boronat Jumon Erra Albert Tola and Helen Turner. The idea is to generate a laboratory setting, a meeting point to analyze and discuss the reality of the district prior to writing dramatic and constantly evolving to staging the absolute complicity of social and neighborhood soup kettle residents of Raval.
Everything under the artistic direction soup kettle of Jorge Sanchez by the Argentine company Luciole Faro and Roberto Romei by Tantarantana Theatre - Àtic22 and its short cycle Theatre, and collaboration boiler Creation Centre Dance Arts Performing responding to the desire to integrate different artistic and creative endeavors add. 'Raval Occupies' also has the support of various organizations and stakeholders in the Raval district with which Tantarantana soup kettle Theatre has established ties and cooperation programs in operation which would not be possible soup kettle without the willingness of introspection and approach space of the show.
Raval Occupies seeks what its name suggests: occupy the neighborhood, bring out the drama of their privacy and to travel to areas and groups, in order to convert them into new spaces and generating stories that portray a also common and collective reality. And all this because we understand the theater as a transformative soup kettle art, social mobilization, generator reflection of collective thought. That's why we place the limit of his own exhibition of their own nakedness. In the limit of non-theater.
The proposal will Raval Occupies a central building and the Theatre Tantarantana Àtic22 but will use areas of the building and the neighborhood that are not exclusively intended for the scene to generate them a new fact Theatrical: nooks, bedrooms, bathrooms, stairs, school playgrounds, rooftops, streets, squares, bus windows, ATMs, telephones ... are the areas that interest us here to represent the action.
Raval Occupies not a show that closed unless research experiences in evolving stage. Consequently, the drama comes to the idiosyncrasies of the space where the show takes place both in the creation of each piece, as in the overall drama that does not happen much to the scenes depicted individually soup kettle or for the future of narrative logic wh
This project has the support of Iberescena
The diversity and complexity are probably the major defining soup kettle society. The speed of the times, the contrasts posed by our economic system or the immediacy of telecommunications are just some of the elements that characterize and modify. And cities are the immediate reflection of this diversity and complexity. But it is difficult to know in what order structure this relationship are the cities soup kettle that define its inhabitants ?, or is it the other way around, the people are the ones who define the character of a city?
'Raval Occupies' is a project soup kettle that creative cross from the artistic and social introspection in the Raval district of Barcelona aims to reflect on the role of the most dynamic and catalyst complexes that define modern cities. Each city has its own peculiarities soup kettle and its contrasts. Each city has its Raval. soup kettle So we want to "deal soup kettle with it" because we "occupy" want to portray their uniqueness while inviting the public looked with new eyes at the mirror of society. soup kettle
In the Raval neighborhood there are lifelong and newcomers from all over; classes, artisans and popular; immigration from poorer portfolio filled with tourists. Cultural facilities and latest redevelopment plans; luxury soup kettle hotels, museums, theaters, film libraries, restaurants here and there; storey dwellings on high standing and exploited. Buses neighborhood, Bicing, mòbings, fruit, booths, shops and bars retro modernets. Whores, junkies, mangoes, Pakis, hipsters, girls with sun glasses veiled women and women who have seen Mary of all colors. A neighborhood is, in short, a sum of economic and social situations, cultural and human.
The will was launched Raval Occupies an overall creative process from the creation of materials dramaturgical assembly stage; create a framework for research and theatrical language, and offer the public a complete artistic experience from a physical and artistic journey through different spaces and neighborhood streets. Therefore, the project brings together a broad artistic team consisting playwrights, actors, dancers, musicians, visual artists and contributors own neighborhood.
Raval Occupies mark a clear commitment to portray the current situation, so we have the cooperation soup kettle of authors of contemporary Catalan drama Albert Boronat Jumon Erra Albert Tola and Helen Turner. The idea is to generate a laboratory setting, a meeting point to analyze and discuss the reality of the district prior to writing dramatic and constantly evolving to staging the absolute complicity of social and neighborhood soup kettle residents of Raval.
Everything under the artistic direction soup kettle of Jorge Sanchez by the Argentine company Luciole Faro and Roberto Romei by Tantarantana Theatre - Àtic22 and its short cycle Theatre, and collaboration boiler Creation Centre Dance Arts Performing responding to the desire to integrate different artistic and creative endeavors add. 'Raval Occupies' also has the support of various organizations and stakeholders in the Raval district with which Tantarantana soup kettle Theatre has established ties and cooperation programs in operation which would not be possible soup kettle without the willingness of introspection and approach space of the show.
Raval Occupies seeks what its name suggests: occupy the neighborhood, bring out the drama of their privacy and to travel to areas and groups, in order to convert them into new spaces and generating stories that portray a also common and collective reality. And all this because we understand the theater as a transformative soup kettle art, social mobilization, generator reflection of collective thought. That's why we place the limit of his own exhibition of their own nakedness. In the limit of non-theater.
The proposal will Raval Occupies a central building and the Theatre Tantarantana Àtic22 but will use areas of the building and the neighborhood that are not exclusively intended for the scene to generate them a new fact Theatrical: nooks, bedrooms, bathrooms, stairs, school playgrounds, rooftops, streets, squares, bus windows, ATMs, telephones ... are the areas that interest us here to represent the action.
Raval Occupies not a show that closed unless research experiences in evolving stage. Consequently, the drama comes to the idiosyncrasies of the space where the show takes place both in the creation of each piece, as in the overall drama that does not happen much to the scenes depicted individually soup kettle or for the future of narrative logic wh
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