The right equipment! Top 5 .... - Fresk.dk
What exactly is the main equipment in my collection? It is a difficult question, but also relevant. Most photographers (like myself) do not have unlimited funds available, so you have to choose. Nevertheless, I have spent much money on equipment, not always right! In hindsight, I now choose different. There is a part fejlkøb- often where I bought cheaply, which in the long run is expensive.
But from experience one becomes wiser (rarely rich) could be an appropriate paraphrase a great Danish proverb. I have this morning taken stock of miscellaneous purchases. On the floor are 6 racks, various belts, 10 speedlights of many brands, 6 bags, 5 different reflectors, 12 flash racks, 11 softboxes, a pile of cables, various filters, chargers, batteries and other gear I have never used more than once !!!!
I assume that camera and lenses are a given. I have 8 lenses 5 user I never or rarely. My best advice in this regard: Write down what you least need of Lens a realistic dream list. My was Nikon's "Gold" series: 14-24, 24-70 and 70-200 great group all if / 2.8. But I started a completely different place. A fixed 50mm f / 1.4 A nice glass that has followed me for 12 years! Eventually great group I bought it when the budget has been there. I have also had many lenses that have been too cheap. The result is soon clear: You do not use them! Time and again you will be disappointed with the lack of quality. So buy quality recorders- and settle for a time. Lenses of fine quality can often follow to the next camera upgrade.
1. Camera stand has been my best friend, but it has taken time to find. I started with an "Active Pro 5000 Ultra Tough XXlVVCT-DXO" - like. At a cost of 500 lire. All in plastic and cheap aluminum. It regretted I quickly after a walk in the open. The stand collapsed after 5 minutes. great group I can only say: cheap tripods will not do! Buy a properly from the start. A good tripod you can have for decades. I have an old Gitzo- that works and is stable (and costs checkout). Giotto's also super quality and at 1/3 of the price of Gitzo. I have always bought great group racks with ball head. But today I make video as a fluid head is a necessity. great group I recently found a rack to suit most needs: Manfrotto 055XROB with a head called 804RC2- The tripod is solid as just hell, can be used for both photo and video (However, there is no head fluid but can be used) - at the same time, the middle great group column is pulled up and cross made: for those who love blomsterfoto- or just be far down. I can tell that Click photo in Næstved makes it a special price for 1800 is it yours! (No- I do not get sponsor money!)
2. To take better pictures under various conditions, you need to have more control over the light. Although the sun is shining, there is often need extra light. Imagine that the sun is behind your subject, but do not want a silhouette - then you must add extra light. There are two options: Enter flash or reflector. I choose flash first! It can be used more out each task while the reflector is applicable only in day time. But your flash needs to be "off camera". That is, it must be able to be fired without it sits on your camera. Here you can choose an I-TTL cable, now you do not think about synchronization, manual adjustment of flash, great group over and under exposure and so on. Everything is controlled from the camera! By removing the flash of the camera, you can control your external light very precisely. Some cameras can control the flash via the built-in flash so you will not have cable, so long as the flash can "see" the camera. So for a super trick! - Easy and free. To soften the light you need to think on the ceiling and white walls ... I would like to inform my flash against the ceiling or against great group a white wall. Suddenly you have a giant softbox! Although the light has to travel far, it is worth trying. Am I forced to use the flash directly at the camera where movement is necessary (receptions etc.), Peeps I always great group reflective surfaces.
3. Flash fixture is obviously my next choice. Again, it is better to buy some stuff. I have bought more than enough, before I came up with the tripod great group covering the widest possible situations and which lasts and works. Again yesterday my choice great group on Manfrotto! They have made a flash stand which may be converted into boom stand. great group The flash he moved at all altitudes from 0 cm up to almost 4 meters! The stand finden include at Goecker. Manfrotto 420B. It's expensive, you can probably find similar elsewhere. This costs 1800.- I can guarantee the quality. But I have seen another model for 1/3 of the price of Photogadget .... It looks really great group reasonable out ... anyone have experience with this?
4. Reflector must be my 4 election. I have over the years bought several, many have been too cheap. I have found,
What exactly is the main equipment in my collection? It is a difficult question, but also relevant. Most photographers (like myself) do not have unlimited funds available, so you have to choose. Nevertheless, I have spent much money on equipment, not always right! In hindsight, I now choose different. There is a part fejlkøb- often where I bought cheaply, which in the long run is expensive.
But from experience one becomes wiser (rarely rich) could be an appropriate paraphrase a great Danish proverb. I have this morning taken stock of miscellaneous purchases. On the floor are 6 racks, various belts, 10 speedlights of many brands, 6 bags, 5 different reflectors, 12 flash racks, 11 softboxes, a pile of cables, various filters, chargers, batteries and other gear I have never used more than once !!!!
I assume that camera and lenses are a given. I have 8 lenses 5 user I never or rarely. My best advice in this regard: Write down what you least need of Lens a realistic dream list. My was Nikon's "Gold" series: 14-24, 24-70 and 70-200 great group all if / 2.8. But I started a completely different place. A fixed 50mm f / 1.4 A nice glass that has followed me for 12 years! Eventually great group I bought it when the budget has been there. I have also had many lenses that have been too cheap. The result is soon clear: You do not use them! Time and again you will be disappointed with the lack of quality. So buy quality recorders- and settle for a time. Lenses of fine quality can often follow to the next camera upgrade.
1. Camera stand has been my best friend, but it has taken time to find. I started with an "Active Pro 5000 Ultra Tough XXlVVCT-DXO" - like. At a cost of 500 lire. All in plastic and cheap aluminum. It regretted I quickly after a walk in the open. The stand collapsed after 5 minutes. great group I can only say: cheap tripods will not do! Buy a properly from the start. A good tripod you can have for decades. I have an old Gitzo- that works and is stable (and costs checkout). Giotto's also super quality and at 1/3 of the price of Gitzo. I have always bought great group racks with ball head. But today I make video as a fluid head is a necessity. great group I recently found a rack to suit most needs: Manfrotto 055XROB with a head called 804RC2- The tripod is solid as just hell, can be used for both photo and video (However, there is no head fluid but can be used) - at the same time, the middle great group column is pulled up and cross made: for those who love blomsterfoto- or just be far down. I can tell that Click photo in Næstved makes it a special price for 1800 is it yours! (No- I do not get sponsor money!)
2. To take better pictures under various conditions, you need to have more control over the light. Although the sun is shining, there is often need extra light. Imagine that the sun is behind your subject, but do not want a silhouette - then you must add extra light. There are two options: Enter flash or reflector. I choose flash first! It can be used more out each task while the reflector is applicable only in day time. But your flash needs to be "off camera". That is, it must be able to be fired without it sits on your camera. Here you can choose an I-TTL cable, now you do not think about synchronization, manual adjustment of flash, great group over and under exposure and so on. Everything is controlled from the camera! By removing the flash of the camera, you can control your external light very precisely. Some cameras can control the flash via the built-in flash so you will not have cable, so long as the flash can "see" the camera. So for a super trick! - Easy and free. To soften the light you need to think on the ceiling and white walls ... I would like to inform my flash against the ceiling or against great group a white wall. Suddenly you have a giant softbox! Although the light has to travel far, it is worth trying. Am I forced to use the flash directly at the camera where movement is necessary (receptions etc.), Peeps I always great group reflective surfaces.
3. Flash fixture is obviously my next choice. Again, it is better to buy some stuff. I have bought more than enough, before I came up with the tripod great group covering the widest possible situations and which lasts and works. Again yesterday my choice great group on Manfrotto! They have made a flash stand which may be converted into boom stand. great group The flash he moved at all altitudes from 0 cm up to almost 4 meters! The stand finden include at Goecker. Manfrotto 420B. It's expensive, you can probably find similar elsewhere. This costs 1800.- I can guarantee the quality. But I have seen another model for 1/3 of the price of Photogadget .... It looks really great group reasonable out ... anyone have experience with this?
4. Reflector must be my 4 election. I have over the years bought several, many have been too cheap. I have found,
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